This painting is iconographically unique because it is the only known composition depicting Vira Vajradharma as a central figure and the only painting known that depicts the two figures of Vajradhara and Vajradharma paired together in a single composition. Vajradharma originates with the Chakrasamvara cycle of Anuttaryoga Tantras and is another form of the Tantric Buddhist primordial Buddha. Vajradharma is red in colour and has two different iconographic forms. The first form, shown in this painting is considered common, Vira Vajradharma, and the second form is regarded as more profound, or uncommon. The second form does not use the initial term 'vira' meaning 'hero' (referring to the appearance of Vira Vajradharma with hand drum and skullcup) and simply goes by the name Vajradharma. The profound form of the primordial Buddha Vajradharma has the same identical appearance as Vajradhara except Vajradharma is red in colour rather than blue. (The primordial Buddha Vajradharma should not be confused with the red form of Avalokiteshvara also with the name Vajradharma [see image])
Unique Iconographic Features:
1. Vira Vajradharma (red) as a central figure.
2. The group of three Vajrayogini figures: Naro, Indra & Maitri.
3. The group of three power deities: Kurukulla, Takkiraja & Ganapati.
4. The inscriptions written on the cloth hangings in front of the two thrones - specifically the Kalachakra monogram.
5. The two Pamting brothers seated on the same lotus.